Exactly…
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It’s even worse when you’re trying to make them somewhat present in the mix. always either too loud or too quiet.
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i listen to the hi bit of the snare that is fucking about in the same spot and then decide if the hi hats or the snares peaky bit gets to be the dad
but its always like a whole familys faith is going to be decided from there
depends on the dubstep you’re aiming to make imo
To me, the fundamental takeaway from the Moneyshot thread was
Leave your master fader at zero.
Which is timeless.
http://www.searles.co.uk/files/7413/0049/0055/chinese_takeaway.jpg
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My post on making sub. There is a whole thread there.
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it’s portamento not portmanteau
I just went with what the spell check said.
anybody made a track where only the sub is mono and the rest is panned?
could definitely work on paper
oh sorry didnt mean to quote
Not always panned, but I pretty much never have anything else being completely mono except sub.
Yeah no Ive never done it myself
but it could mean the bi´ggest bass ever if it was done carefully
Its actually weird it hasnt been tried out or like that we know one tune that does this
super formula tbh
Dubstep masterclasses:
Acid still looks like crap.
acid looks awesome imo
here’s a more in depth rip off of the rusko masterclass
Reason stock drums = win 
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Old-School Tutorials
Tutorials by Producers
Physics of Sound
Entire Vibrations and Waves lecture series
Music Theory Lectures
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Documentaries