Tbh footwork in general is pretty bait. Outide of the main us names it’s unlikly youl find anything innovative. The entire US seen is either biting Chicago stuff or tryingg to make something new out of their lex luger fruity loops pax.
Tbh I really like the tempo and percussion focus but its mostly focused around dancing (obviously) so a lot of it is kinda dumb to just listen to and not dance
As much as a love the us scene most truhed footwork producers are pretty subpar compared to average uk dubstep or dnb producers. Like US footwork still hasnt diverged from its hip hop/house roots…
Is experimental footwork still footwork? It´s basically a dance tool… remove that bit and it´ll be pretty much like IDM or w/e you like to call it from 10-15 years ago?
I imagine Mike paradinas old stuff to basically sound like that lol
Thanks man. I’ll take a listen when I get the chance.
And I mean dubstep/dnb/house are all made for dancing but are totally listenable outside of that situation where as a lot of footwork stuff doesn’t make sense to listen to outside of context. Like Ghost is dumb to just chill out to.
Like there was one by Boo or Rashad… can’t remember what it was called, static or noise or something like that, that you can totally listen to out of context and still vibe to it