\m/
No U Turn possess a special place in my heart.
My first encounter back in the day (never forget):
saigon is worth checking out too - sublabel of no u turn
no u turn took a turn for the worse after ed rush left imo
they still put out some decent stuff but nowhere near as good or interesting. but that was just dnb at the time, with og techstep dying out and neuro starting to take over
trace went all neuro with dsci4 too. then felt bad about it and started putting out amen rinseouts via 117 recs
there was good stuff at the time tho:
- moving shadow had dom & roland and tech itch
- droppin science defo need a mention. dank af and set the stage for biotic/xxx
- tech itchâs labels put some of best tech step around imo (decoder) and then darkstep
- dylan had a hand in pushing darkstep too. prob moreso than tech itch, with biotic/xxx and later on freak recs
- dylan also had a label with loxy - cylon (which is now run by loxy alone) - that put out 2nd gen techstep
- and speaking of 2nd gen techstep, renegade hardware need a mention. loads of good tunes from loxy, ink and prob the best neuro to this day imo aka konflict
- position chrome did the techstep thing in germany after panacea took over the label. put out early shit from current value too. then kinda disappeared for a while but re-emerged as a darkstep/technoid w/e label in the mid 2000s
- stakka & skynet put out some good tech/early neuro via audio blueprint
- doc scottâs 31 records was killing it imo - kinda like a better metalheadz at the time imo since metalheadz fell hard after 1997. not that metalheadz were solely putting out crap
i find it kind of ironic that usually you hear people talking shit on darkstep âoh that 170 bpm school shooting music killed off dnbâ but have no problem with wack watered down shit like ram, the stadium dnb of breakbeat kaos or terrible tearout.
darkstep didnât really do anything that wasnât already in techstep/early neuro. it just added extra jungle hardcore ruffage (darkstep) and tresor-style hard techno (technoid).
whenâd ed rush leave? to form virus? iâve checked a bit of virus but it never caught me in the same way, didnât release no u turn had another sub label
like if i couldnât like this label anymore, they go and do Turn U On and put out early horsepower
why did i make this thread when the youtube linkingâs fucked ffs
around 97 i guess
and yeah those turn u on records are great. think i like those more than tempa horsepower
masters of The Overly Long Intro
worth the wait tho
the way the amen comes into this one, and then returns for the outro
such a distinctive drums sound, guess thatâs from using the same exact sample in every tune, is it an amen? always sounds sooo different to anyone elses though, and the kicks sound like drum machines?
a good part of that was nico engineering everything
Do you know if he had any secret sauce in his chain (tube compressor or someting)?
dunno about nico but optical did a long ama on reddit, seems to have been pushing desk gains, distortions and the filters on their samplers, in particular the emu, colouring the sound
iâd love to have made dnb in the 90s with engineers âoi nico make me a fat reeseâ, âpete parsons get off your arse and flange this amenâ
yeah
also defo need a knob boy to tell him where to place drums n shit cause producing is long
oi rob playford make me 1 million
thanks man.
eurgh
the fuck is that mid bass, synth? sampled? what has he done with the pan and shit that it seems to move out and reverb a little at the end of the phrases/ tons of automation different stuff
in a trace mood
not a subtle trace mood either
(like no lie the drums in this first one are a bit shite)
realized i know 0 about renegade hardware
literally mutant revisited (v1 mix1) lol
wrong post
Yeah, Mutant Revisited was co-produced and engineered by Dom.
Canât believe I missed this thread
stealing these from the tech step thread on doa
ffs
fuuuuuuuck â mumbmumbmuUumb - - imo this johnny l bit is the essense of the sound almost parodied
everything is the wrong size lol just fitted
like tri in the square hole biz
funny its called koka cause it sounds exactly like amphetamine
its the OG juno reese actually
(first reese sampled off kevin saunderson)
i think at least, sounds a lot like that
http://alijamieson.co.uk/2015/03/reeses-pieces-how-to-create-kevin-saundersons-legendary-bass-patch/