Very nice, subbed
1 BigUp
Yeh hes one of the chemical brothers
2 Likes
Well I never
New sample pack incoming
2 Likes
4 Likes
Yeah that’s where i found it 
https://twitter.com/eprombeats/status/1709796397917302810?t=ku-sdp5U5QPU8gr8_GUW6w&s=19
1 BigUp
damn I totally forgot about this guy, I spent so long trying to emulate all the lil bubbles and blips in this track:
I loved that tiny slice of dubstep history with eprom and eskmo, jamie vex’d, starkey etc.
1 BigUp
looking at my starkey - ephemeral exhibits cd and feeling nseostalgic
very glad for his dj set @ 10 days off in belgium (can’t find shit online, but it exists and it slapped) opening my mind for more erratic/experimental electronic sound.
being freshly enchanted by dmz shit and the like it sounded too bright/happpy etc at first
anyway, that set was so sick, but it is lost in time, like tears in rain
1 BigUp
lmao, actually this exists
LET HIM STAY
1 BigUp
hehhe
wanna rep Granul
Some news on MIDI 2.0 .
1 BigUp
Always love a stereo bass tbh and did used to pay attention to the mono only bit but idk in this day n age I guess if it sounds good just do it !
Can’t have stereo bass on vinyl.
1 BigUp
⠀⠀
1 BigUp
That’s the point the video makes - the majority of tracks are released digitally, so does it matter anymore.
Ok well it’s a new concept to me. Literally only learned it today so 
I love this video. It’s short & sweet! The idea seems completely reasonable for producers into digital/ VST/ midi kinda stuff. But if your tracks are going straight to a vinyl plate then I’d probably keep the bass mono like the video says.
1 BigUp