I named them in the order he listed, I was just trying to show how they can change contextually based off of what you conceptualize as the root. I wrote it in 2 minutes at a rest stop cuz I’ve been driving for fucking 5 hours.
Idk why I post anything anymore. Im so fucking depressed and brain fogged I can’t think about anything for more than 5 seconds so why bother. Not adding anything anyway. I knew it was poorly worded after I wrote it but can’t do anything cuz I’m driving so a couple hours later here we are
If you don’t follow already I HIGHLY recommend Adam Neely’s yt channel. He breaks down theory better than anyone ime and makes it relevant with examples from pop and whatnot.
Figured out one issue with the hats - there is a reverb on their channel, but they were also routed to a reverb FX channel. Killed the route and they sound tighter now.
FX directly on the channel/instrument : Insert effect (because it’s directly inserted in the chain)
FX on a bus channel : Send effect (because you send the signal to another bus)
FFS been getting more and more pissed off with this tune I am working on coz when I tried adding or removing sections, my samples kept going off grid and the tempo sounded weird. Just realised I managed to add tempo changes to the master workflow, so the tune kpet flicking between 163 and 168.
Fixed it now and everything snaps to grid as expected.
