Sine Bass

Try some reverb on the subbass.

Nah man don’t do this it tends to muddy the sub, some saturation is ok though.

I’d at least try it if you’re going for size. I find sub sounds a bit cartoony without reverb.

I guess if you EQ it right it would sound ok

I use the ā€œWarm Up Lowsā€ saturator in Ableton but only have the drive at about 0.5db otherwise the sub can sound too apparant, good for extra harmonics

Also, making a power chord sounds pretty fat. That is set oscillators to 0, +7 and +12, the top ones tuned a little flat.

I think the effectiveness of this depends on how much reverb you’re using on the rest of the track.

Make sure your sine wave is retriggering each time, and that the osc is not free running. This will start the note at a 0 point in the y axis of the sine wave.

Work with your attack and release settings in your synth.

Then eq out any remaining click sound. Should have little to no effect on the sine itself.

May want to try a limiter if the attack of the sub is too slow due to attack settings, but shouldn’t be necessary.

If you want a titanium hard solid sub check out Sytrus. And check out fl’s features to do portamento, it is beyond the midi speck. Not gonna help you if you’re outside of fl though. :slight_smile:

1 BigUp

He’s using Ableton. Analog can portamento, not sure about Operator.

Maybe a bit of vibrato and/or tremolo for interest.

fl has special slide capabilities in the piano roll. It isn’t traditional portamento. More like controllable slides. But Sytrus is available as a vst, so can be used in live.

1 BigUp

Yeah, you’ll need to use the pitch bend wheel for that.

Thats not the best idea since such low frequencies in the stereo field will destroy your power

2 Likes

I’m not dead sure about reverbing the sub either. NoT saying u can’t. Its a free world and I’m sure in some cases it works well. Bass guitar sounds great with room ambience

1 BigUp

Uhhh just put a fourth order low pass at 200hz?

Yeah, I’ve kind of changed my mind about the reverb thing.

1 BigUp

That’s probably because bass guitar includes much more higher harmonics than a clean sine wave

I’m kinda confused about answers people are giving here…

Didn’t you have a problem with clicks & pops?

I don’t know if it’s just Operator in your case (since I’m not on Ableton), but I’ve had similar problems with ES2 in Logic. Setting the phase knob to 0/setting OSC start to soft is one thing. What I just usually do is to set the polyphony to legato, and set portamento to something like 1, so it glides from note to note = no clicks, but portamento is so low you don’t really notice it. If there’s any clicks remaining in the end, I just do some surgical audio editing after bouncing out the whole bassline.

1 BigUp

HOLY CRAP…just using a gate to trigger a separated sub bass….FACEPALM…. That is amazingly awesome and yet SIMPLE information. Gates…so they do have a use huh?

Gates are glory.

Reverb: if diffusion and width are kept low while room size is increased, sub gets a bit more presence imo