The Original Growl Bass Thread (Official)

Went in serum and found a screechy FM squarified wave table and another FM spectral wave table and I modulated the Wavetable position of each of them and I used the REMAP 1 algorithm for the first wave table and just brought up the intensity of the wave about 70-80% and the level of the REMAP 1 to about 60. Then I added Distortion, hyper dimension, EQ, Filter on HP 12 setting, then the compressor.

My effect chains looks like this

Phase > EQ > Camel Crusher > compressor > EQ doing a vowel E > EQ doing a vowel OE (I switch back and forth from the EQs being on and off) > Multiband Compression > More compression > EQ > reverb > Tube distortion

Yeah and a few effects I will send you a picture of the effects quick :smiley:

anyone know how to make this bass? https://www.youtube.com/watch?v=PgdtZNdgHy8

i hope this is kind of what u were looking for

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Stupid…

Work seriously on your Growl basses instead of sending anything…
I remind you guys that you are on a forum called ā€œTHE OFFICIAL GROWL BASS THREAD 2015ā€!!

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https://clyp.it/gwk1dfvo# :full_moon_with_face:

The sytrus patch is a sine wave frequency modulated by a bunch of random harmonics. Now it should sound like the most horrible thing ever conceived by mankind. then you RM the ear rape oscillator with a sine wave that has ā€œevenā€ and ā€œhalf enabledā€.

Then this chain of FX happens http://imgur.com/gallery/D82sOK6/new :full_moon_with_face:

This is why I prefer Sytrus over FM8. In sytrus you have an RM matrix and you can draw and import your own waveforms.

But I still use FM8, because I sometimes like to have less control over whats happening, because I tend to overcomplicate things. :full_moon_with_face:

Edit: Oh and when you double the pitch of the modulating oscillators it becomes ā€œterror squad-yā€. This applies to any FM patch.

Not bad bro’ but for sure you can make it sounds closer maybe by using a bandpass & a highpass filter for the voweling…

I made something like this, i used serum, vocodex and a ton of distortion: https://clyp.it/zxzae0lq?token=bc4eb5bd4eb307be79c888e5cad50a01 The second part is just the unprocessed version :3

dope man I really like that :smiley:

Sounds awesome man keep up the good work :smiley:

Here is a little bass that ST4RBUCK helped me with, I changed the wavetables and modulated the phaser with an LFO then brought the feedback up to 0.99 then changed the dry wet to about 45-50%. Then I modulated the auto filter with a macro and also modulated the scales of two EQs to add the formants. I added an OTT before those EQs and after just because and then added some distortion, compression, and added reverb and some delay :smiley:

Man…stop uploading the same bass everyday !!..boring
Try to challenge yourself for once…

Haven’t posted in a while but here is just a stupid standard growl bass that a noob would use.

https://soundcloud.com/imseven/va_mud_emin_bpm_140/s-RjHsk

What is this made in? Sounds sick.

Here’s a thick, guttural growl, modulated by Drake’s voice. :heart_eyes_cat:

https://soundcloud.com/imseven/throaty_fmin_bpm_150/s-6pS4z

Lol…

I’d love to know how to do the process of ā€œEQ Modulationā€ for growl basses to get more vocal movement in them. Can anyone refer me to a video or a post or something of how I could do that? I’m in Ableton and want to try it out on growls I make in the future.

Ask him … (Spitfya)

sounds awesome man hahhaha xD