On one hand, this doesnโt belong here at all.
On another hand, itโs totally fitting.
Iโm just gonna leave it here, and let you figure that one out for yourself - lol.
On one hand, this doesnโt belong here at all.
On another hand, itโs totally fitting.
Iโm just gonna leave it here, and let you figure that one out for yourself - lol.
Hey Alert,
I just took a peek at the original file - regarding the sub bass you mentionedโฆ
It seems to be there and fully audible.
However, it could be that YouTubeโs settings deminish the bass somewhatโฆ
Hereโs a great question:
Is it better to render your song for Streaming or CD?
Whatโs the difference, and what does each do?
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On another note, what would really really really help me out is if someone could
โtake a look under the hoodโ
of the song in FL Studio.
Ya know, poke around - look at what I did - and tell me:
โHey, this is wrong, this is right. You did well here, but I dunno what you were thinking over here.โ
Kind of stuff.
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That would be super helpful, cause I would love to re-release the finished version of
Magick CRNTHB
in the remix album.
However, I would want to make a noticebly decent improvement on it.
Thereโs plenty of time to do that, and I would love to get it done.
Thank again everyone!
This is a super fun project, and Iโm glad some of yous decided to jump in!
Thank you!
Honestly Fam,
I barely did any Mixing and Mastering.
I havenโt even went in and leveled the tracks in the mixer yet, lol.
All I did was use Ozone 9 Elements Master Assistant feature over the loudest part
Which, Iโll admit - did make it sound a lot more crisp and clear.
However, if anyone could take a look at those levels in the mixer -
Iโd really love to hear what you have to say about it!
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On another note,
Iโve always wondered what people mean when they say:
โIf you ainโt redlining, you ainโt headlining.โ
What I can surmise from this is:
all the professional producers crank up the sound to hit the red line?
Iโve heard mixed reviews.
Iโve heard people say never let it clip.
Others say itโs okay to let it clip.
So which side does DSF (you) stand one when it comes to the loudness war???
Clipping or No Clipping?
Big ups, Big Big ups Sleepwalker!
Thanks for the lead!
Also a great reminder that I can search this site (rather than ask in a thread).
Thanks for the heads up tasso,
please DM me and Iโll see if I could get you a link through email.
Will try to EDiT the Sendspace link ASAP!
Did you try the google drive link? )
Yeah, I need privileges on the google drive link. Once I have it in the email, may I reupload it on another website?
I think that itโs this
Did you send the email yet gamer?
I finally have 8 bars I like lol. VIKTรRY!!!
Nice, friend!
Hypeโd to hear what youโve got cookinโ!
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Hey, does anyone here know about EQโing in the different frequency ranges?
Itโs a theory I found from Virtual Riot!
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Itโs where you place your sounds in specific frequency ranges -
which exemplifys the sound and adds a nice distinction.
Iโm pretty ceratin this is a technique that the professionals use
to make their songs really pleasing to the ear,
and is what makes their songs so broad and clear.
Check it out, and lemme know if youโve heard of this before!
I think this how it go:
All your BASS in the lowend.
Leads and Melodies in the mid.
Sound FX and other squeaky sounds in the highend.
This way sounds never compete to be heard,
because they are all in their proper zones to be heard in that range.
Just something I recently heard, and just wondering if anyone else has and does this.
What say ye?
I kinda figured everyone did this as standard?
My impression is that this is more or less common mix-knowledge; every element is supposed to have a place in the mix frequency wise, and you add/remove elements to make the mix as full as you wish for - depending stylistic choices.
Thatโs not to say you need to have an element in every frequency range, but alas, the fewer elements you put in a mix the more each element needs to shine.
Thats also not to say that you can have a โdecentโ mix just by adding a lot of โshitโ elements.
I think this is also true; thatโs why you seldom hear a vocal-line and a guitar solo playing at the same time etc.
Is that just what EQโin / Mixing is?
Yea, I know what you mean.
Another thing I learned about what I was referencing is that
there is even still so much more to it than that!
I think what makes a great producer is
knowing the most about the way sounds mesh together,
and doing the best job of bringing the best qualities of each out in the mix!
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I think it depends from song to song,
how intricate you want to make a song.
On one hand simplicity is nice in itself,
and on another itโs nice to hear a really intricate lineup of alot of different soundsโฆ !!!